Last Minute Oscar Predictions...

Okay... Captain Procrastinator strikes again. I had this elaborately detailed commentary on the Oscars all mapped out, but school and my current enslavement at the OG has been so "cray cray" that I had no choice but to put off the blog. Regardless, I am ready to throw out my predictions etc. So without further adieu...

 

Best Supporting Actress...

Will Win: Octavia Spencer, The Help

Should Win (Matty's pick): Jessica Chastain, The Help

Don't get me wrong, Octavia Spencer was incredible in The Help, but I felt at times that she was more a caricature than a character. Believe me there's a difference. She stole the comedic show, but I felt like Chastain's comedic moments were less "over-the-top" and more grounded in "white-trash" reality. Also, Chastain's moments more fully humanized the story's theme that "you is smart. you is kind. you is important." On the outside she had it all, but inside she was entirely conflicted and I think that made The Help a much better film. Even still, I would not be surprised or upset if Melissa McCarthay of Bridesmaids ran away with Oscar Gold here. She does seem to have the "Marisa-Tomei-in-My-Cousin-Vinnie" factor on her side.  

Best Supporting Actor...

Will Win: Christopher Plummer, Beginners

Should Win (Matty's pick): Max Von Sydow, Extrememly Loud &Incredibly Close

I loved Plummer as the 70 year old who finally comes out of the closet. His role is a unique one that defintely goes against his past filmography, however I didn't exactly find his acting that incredible. His "son" in the film Ewan McGregor was far better in my opinion. Von Sydow should win this. His "silent" acting was full of subtle nuances that simply spoke louder than words. Plus I loved, Extremely Loud and thought the acting all around was "Oscar-worthy."

Best Actress...

Will Win: Viola Davis, The Help

Should Win (Matty's pick): Viola Davis, The Help

Hands down the performance of the year and so far this very new decade is Viola's turn as Aibileen in The Help. It would be criminal to NOT see her win. If there was one person I wouldn't mind see winning here, It would have to be Rooney Mara in The Girl with the Dragon Tattoo. She took some serious risks that both worked out and made for a memorable turn as the truly twisted Salander.

Best Actor...

Will Win: Jean Dujardin, The Artist

Should Win (Matty's pick): TIE. George Clooney, The Descendants. Brad Pitt, Moneyball.

Okay, I've seen The Artist. It was really pretty good. I laughed and thought overall Dujardin did a great job making a silent film star come to life. Nonetheless, I did feel like the film in general was/is pretty gimicky. If the film wasn't almost entirely silent, I'd say Dujardin nor the film itself would be looked at for any real Oscar love. Both Clooney and Pitt deserve this. Honestly, I'd be completely happy with a full blown tie between the two of them. Clooney turned in his best performance in his illustrious career and Pitt was no different. Honestly how have neither of these guys won Oscars for acting? I mean didn't Clooney play Bruce Wayne in Batman & Robin? Joking...

Best Director...

Will Win: Michel Hazanavicus, The Artist

Should Win (Matty's pick): Martin Scorsese, Hugo 

Again, The Artist will win, but I found nothing about the direction worth a nomination. It's gimcky as I said before. Scorses resurrected 3D. Yes, he actually made it relevant for thatres today. It also doesn't hurt that his film serves as a paean to the history of cinema as well.

Best Picture...

Will Win: The Artist

Should Win (Matty's pick): The Descendants

Though Oscar will undoubtedly pick The Artist, I'm still holding out hope for The Descendants. I have no problem whatsoever with honestly any of the other nominees winning. The Help was probably the most talked about film of the year, while Hugo was the most beautiful. Extrememly Loud & Incredibly Close is easily the biggest longshot, but I really enjoyed the film (I've seen it 3 times--oops!). Moneyball wouldn't be a bad choice, nor would Tree of Life. I'm just personally not sold on The Artist, but unfortunately Hollywood is.

Well there you have it... the Oscars start in literally an hour, so we'll have to wait and see how right and how wrong I am. One thing's for sure, I'm really excited. Time for a Bridesmaids awkward dance?



Yup, I just did this right now... I have no shame! Happy Oscar everyone (All 8 of you)... ;)

Where Have I Been?

I'ts been WEEEEEEKKKKKKSSSSS since I last posted. I promise I haven't quit on all 8 of you; nor have I been lazy. Actually life has been super busy. Between now and the last time I posted there's been lots of stuff goin down... I think in this case, words are less effective than pictures and animated .gifs... so I'll tell you where I've been and what I've been doing through the visual medium...

There's definitely been some fist pumpin while watchin J-Shore on Jerzday...

 

I've also been in the club... fist pumpin... Jerz-style



(I'm dead center, sportin mad facial scruff, a grey/blur striped v-neck, just to the left of

my Ginger Princess aka Kramer)

School has been crazy too, Utah Valley University just decided to have everything due the last couple weeks.



(Honestly, don't let the mountains or pond fool you--this place is a prison.)

My niece, Bailey, is on Juab High School's Drill Team and they competed for State and Region recently... so of course I was there supportin her...

1st at Region...

5th at State...



It goes without saying... she learned all her best dance moves from me...



I've been workin my guts out at The OG...

(That's me (future Academy Award winner) with my very good friend
(future Grammy winner) Keena Casper.
I'm her biggest fan... ask her ;)

A word to anyone who goes out to eat.. If you can't afford to tip... you can't afford to eat out. PERIOD! Servers are paid $2.13 an hour. That hourly pay takes care of our taxes. If you think it's appropriate to tip $3.00 on a $70.00 ticket in which a server has to bring salad and soup several times, while also filling drinks, refilling breadsticks, and assuring your leftovers are boxed to take home, then you're dead wrong--like Ron Paul and his craziness. No worries. There's a place for people who tip terribly... It's called Hell. ;)

Oops, sorry for the rant.. but that's been frustrating.

My Fam has had a lil drama here and there... but nothin that we haven't faced before... There's no photographic evidence but I think we are slowly moving on and up...

(Yeah, I wish this would solve it all, but we'd eat the cake, get fat, and cry more)

I haven't posted most of all, because I haven't seen any movies. I've seen The Grey and that's it over the past 3 weeks. A review on that is coming--PROMISE! Also the Academy Awards are coming this Sunday and my predictions will be posted later this week.

Anyway, please don't worry. I'm back. It's just been a dry spell... Love ya'll.  

Extremely Loud & Incredibly Close (Review)

BRIEFLY: Extremely Loud & Incredibly Close is a deftly crafted post-modern film that both effectively reflects and evokes the post-9/11 paranoia of America, while simultaneously being a simple story of a family told in the most unconventional Hollywood way. Most importantly Extremely Loud does little to answer all the questions of our world turned upside down on what the main character Oskar Schell refers to as the Worst Day—September 11, 2001. Instead of coming off pompous and preachy it feels passionate—a love note to the American sentiment both in fear and faith of the days that have proceeded since 9/11. Bullock, Hanks, and Davis all are on par, but it’s the silent performance of Max Von Sydow and newcomer Thomas Horn who steal the show. Extremely Loud & Incredibly Close is probably my favorite film of 2011 and had I seen it last year, it would have been my number one choice. Fortunately, The Academy did see it and tabbed it for a Best Picture nomination.

DETAILED REVIEW: Anyone who knows me knows I do read a lot of books (I’m an English major after all). I’m definitely into the more post-modern and contemporary literature than most other English majors. I prefer the voice of the time and the moment rather than the voice of decades or centuries gone by (This probably explains my affinity for Stephen King instead of Milton or Chaucer). I honestly don’t even remember where I heard about Jonathan Safran Foer’s Extremely Loud & Incredibly Close, but suffice it to say I’m very glad and fortunate to have done so, because it is not just a stellar book, but probably my favorite book I’ve ever read—yes EVER. It sweeps you off your feet and you can’t put it down. A drug addict would call it ecstasy. A fat person would call it a Big Mac. An anorexic would call it Ex-lax. I however say it’s simply brilliant (like fry sauce and chicken strips—maybe I’m the fat person?).

So with that in place, let’s just say I was very excited to see the book on the big screen. I’ll admit though, I was weary. I mean off the top of your head, name a film adaptation that was deemed better than the book? (And please no mention of Twilight!). Yes, film adaptations are rarely deemed better than the source material. Ask any Potter muggle and even they’ll agree (though I do think Hermoine is far hotter on screen than on the page). Film adaptations seem to “leave out” things for the literary fans. I was expecting that this same thing could happen with Extremely Loud & Incredibly Close, and it certainly did, but the result was not one of dissatisfaction, but quite the opposite. In the end I found the film to be as enjoyable and satisfying as the book—something I certainly wasn’t expecting.

The plot centers on Oskar Schell (Thomas Horn) whose father (Tom Hanks) died in the World Trade Center on 9/11. Left with nothing more than his father’s empty closet, Oskar seeks to find meaning after his father’s untimely death. He finds a key which he determines must open something his father wanted him to find. Oskar, despite his worried yet seemingly negligent mother (Sandra Bullock), gallivants around the New York to find whether the key actually is a postmortem message from his father. Along the way Oskar meets Abbey Black (Viola Davis), The Renter (Max Von Sydow), and others none of which know anything about the key or Oskar’s father.

Remarkably, the film manages not to slump into some sort of travelogue for New York City. I wondered if we’d see Oskar looking around Times Square or searching for answers at the Statue of Liberty, but fortunately the New York presented on screen is a mysterious one—the real one.  Credit director Stephen Daldry for finding the right tone for a city as iconic as New York and yet making it feel almost foreign and new.

Daldry is no stranger to Oscar fair either with his films like The Hours, The Reader, and Billy Elliot. He has a knack for finding a story that can be both touching and heartbreaking, but most of all entertaining. Extremely Loud is no different having garnered nominations now for Best Picture and Best Supporting Actor with Sydow’s work.

What’s most interesting about the film is how Daldry captures the feeling, the genuine sentiment of the dark days that preceded 9/11. We were all in deed a little nervous and wondered if things would be even darker in the days that were yet to come. Would there ever be a “normal?” Daldry projects these feelings in Oskar (who in the book has Asperger’s syndrome, though the film doesn’t clearly define him that way). Oskar wants so badly to understand his father’s death, but to an audience who grew up in such perilous times we find ourselves, in moments of pure catharsis, thinking the exact same things he does (like being suspicious of public transportation). Though Daldry dabbles with the “why,” he wisely sidesteps the answers simply with “It’s not going to make sense, because it’s not supposed to” (that’s a line delivered from a teary eyed Sandra Bullock who subsequently made me teary—Kleenex please?!).

Though I won’t reveal any of the third act of Extremely Loud I will say that is an extremely (no pun intended) satisfying climax coupled with an effective denouement. Oskar finds, something we all know but rarely say, that he isn’t the only one suffering and more importantly he is not alone. Though he can’t completely resolve the death of his father, he has finally developed the courage to move on. Much like the American public (for better or worse) that’s what we’ve done—moved on. Though the plot of the film revolves around Oskar and his family, the story aims higher, becoming a sort of allegory to Americanism in the wake of 9/11—and in my opinion it does it beautifully.

I’m truly surprised that the film has been so divisive among critics (It’s currently at 46% on rottentomatoes.com). Maybe this is more a reflection of the current political landscape, one divided both on war and the economy, than representative of the film itself? Regardless, the other 54% are wrong. It’s a movie that not only “moves” you but inspires you. I know it made me break out my laptop and pound out a few pages on my screenplay. Though one thing is for sure, anyone (myself included) will be extremely hard-pressed and have to be incredibly talented to match the revelatory scope, both in word and image, of this movie. Don’t miss it. It’s the Best Picture of 2011.

GRADE: A

I'm Baaaaaaaacccccckkkk!

Like Michael Meyers in Halloween... I'm back from the (blogging) dead. Reviews are on their way... 

Extremely Brief...

 

I just saw Extremely Loud & Incredibly Close... and all I can say is W-O-W! I had pretty high expectations for the film which is based on quite possibly my favorite book of all time, but it absolutely surpassed any expectations I had. I'm confused as to why it was panned by critics (it only has 46% approval on rottentomatoes.com), because quite simply it has quickly risen to the upper echelon of films for 2011 in my eyes. Fortunately, the Academy used their collective brain (kinda surprising considering they snubbed DiCaprio, Gosling, Fassbender, and Theron this year) by awarding it a Best Picture nod, something I didn't see coming. Honestly, this might be the BEST film of 2011... which is saying a lot for someone who really, really, really liked The Descendants.

On a further note, Extremely Loud might be the most important post 9/11 film to date in the way it deals with our universal paranoia and sense of communal suffering in the days that preceded what Oskar Schell refers to in the film as "The Worst Day." We connect with the characters because we were all truly lost striving to understand a world pierced by terrorism.

When I get over what I need to get over, I'll be back to post a more detailed review. In the meantime go see this movie.... Suffice it to say, "I liked it... I really, really liked it!"



 

Taking a Break...

In lieu of recent events that transpired this past weekend (most notably a harrowing stay at the Beaver Lodge), I think it's time to take a little break. Frankly, I'm exhausted. I need a dozen Krispy Kremes, a bag of Chaos chips from Maverick, followed swiftly by a truckload of Ambien. Yeah. I. Be. Tired.

 I'll be back here--just not sure exactly when... Just need to walk a way from this for a bit. Kinda sucks 'cause I think there are now like 7 people who read this and very soon I might have had 8.

sigh...

Most Anticipated Films for 2012...

Yup, here it is... And no there is really no need for a lead-in or introduction... Here it goes...

Seriously? Don't be pissed, I was tacky before I didn't introduce my blog posts. I don't need anyone telling me otherwise--after all I'm the guy who plugs Jersey Shore and Paula Dean's diabetes after all. It's not that big of a deal and let's be real y'all could care less about a "tacky" intro anyway. So without further adieu or personal attacks here it goes...

really for sure this time...

The CineMATTic's Most Anticipated Films for 2012... 

10. Dark Shadows- I look forward to almost anything Tim Burton does. He could make a commercial for toothpaste I'd probably pay to see it. Burton reunites with Johnny Depp (have they ever NOT made a movie together?) and Helena Bonham Carter (Seriously? There's gotta be another actress out there right?) in a film based on the cult 1960's  television series. Dark Shadows has vampires, witches, werewolves, ghosts, etc. which all seem right up Burton's creative alley. He should definitely be in his weird, quirky, inky black element. Michelle Pfeifer of Catwoman fame also is back with Burton here.

9. The Great Gatsby- Director Baz Luhrmann has decided we need another cinematic adaptation of this classic literary gem (apparently the Robert Redford version wasn't sufficient?). How will Luhrmann breathe new life into the story? He'll be shooting in 3D! The biggest reason I want to see this is to see if Luhrmann can finally subdue his obsession with spectacle and bring a film with heart and story to the big screen. His past film's like Austraila and Moulin Rouge failed here, but did manage to create indelible images for even casual moviegoers. The good news is he has a stellar cast with Leonardo DiCaprio, Carey Mulligan, and Tobey Maguire. Still, I'm a little concerned about seeing DiCaprio's massive forehead rendered in 3D but I guess that's Luhrmann's problem.

8. Life of Pi- Ang Lee, the visionary (?) director behind Brokeback Mountain and Hulk (the crappy version that didn't have Edward Norton in it) sets out to film what some say is unfilmable. Based on the wildly popular book, Ang Lee has his work cur out for him, but I surprisingly have a lot of faith in him. I've never read the book, but it is one of those that is looming on the reading list for quite some time. The book author Yann Martel states that Life of Pi is intended to make the reader believe in God. I'm interested to see if Lee takes this route or presents the story with more of a dissonance towards the theological themes Martel suggests.

7. The Cabin in the Woods- Joss Whedon produced this horror film promising it would be "...the horror movie to end all horror movies." That's a pretty big statement (kinda like J.Lo's butt in a glittering G-String), but if he can back it up--more power to him. I love scary movies and really hope someone can breathe some new life into the paralyzed genre. After watching Scre4m this past spring, I've started to doubt any resiliency in the genre (not that Scre4m was bad, I actually liked it a lot. It just didn't bring anything new to the table like I had hoped). Whedon is a fanboy's wet dream. Every comic geek from Tacoma to Topeka to Tampa loves him. He is famous mostly for bringing Buffy the Vampire Slayer to television (one thing's for certain Sarah Michelle Gellar's gottta love him). So I mean every geek has faith in him but this horror geek (ME aka Matty) doesn't quite yet know what to think. I guess I'll just have to wait to see this one...

6. The Avengers- Didn't I just mention Joss Whedon? Oh yeah, I sure did. Though he'll be scrutinized for his producing skills with The Cabin in the Woods, it's his directing that will cement his glory among the legion of nerds. Yes, Mr. Whedon (who has never directed a feature film), is tackling Marvel's crown jewel franchise with The Avengers. It's make or break time for both Whedon, but more importantly Marvel. This is THE film they've been trying to make for years, and now they're finally releasing it. It'll certainly be a big box-office draw, but it's unclear as to whether it'll be too many heroes and spectacle to juggle. Will there even be a story? This is maybe not the most anticipated film of the year for me, but it's definitely the trickiest film of the year and possibly the decade.

5. Prometheus- Ridley Scott returns to space and science fiction with Prometheus. This film started as a quasi-prequel to his Alien film franchise. Over time the film evolved into it's own identity with "nods" to Alien. Still, this is NOT an Alien prequel, at least the Fox marketing department wants us to believe. Regardless, Scott has a stellar cast with Michael Fassbender, Charlize Theron, and Noomi Rapace. The trailer looks interesting and really seems to mesh fantasy with fear quite nicely. It kinda feels like a flashback to the sci-fi 80's in fact. We'll see... Maybe Sigourney Weaver will make a cameo too? (Oh, wait this is NOT an Alien prequel--Got it!)

4. Django Unchained- Quentin Tarantino is back. He is such a revolutionary with the unique if sometimes quirky ways in which he tells his stories, that I'm not sure what we'll get out of his latest film. He says Django Unchained is "Not a Western, but a Southern." He is really good at telling us one thing and presenting something completely different altogether. Pulp Fiction and Inglorious Basterds are prime examples as neither was entirely what it seemed. He always has a great cast and this is no different with Jamie Foxx, Leonardo DiCaprio, Samuel L. Jackson, Joseph Gordon-Levitt, Kurt Russell, and THE kitchen sink... Okay, I'm joking, but seriously everyone is in this movie and that's not a bad thing--not in the hands of Tarantino.

3. The Master- Paul Thomas Anderson might be the greatest director out there today--PERIOD. Yes, he might be even bigger and actually a better storyteller than Christopher Nolan himself (Nolan fan ninjas descending on blog in 3.... 2.... 1....). Anderson is incredibly adept at telling the American experience through various tales: some strange, some normal, but all universally palpable. His films range from Boogie Nights and Magnolia to the darker There Will Be Blood. He can personify even the most alienating character and manages to always do so with deft dialogue and cunning cinematography. The Master stars Phillip Seymour Hoffman who creates a religious sect after returning from the Vietnam War. Amy Adams and Joaquin Phoenix also star.

2.The Hobbit- Peter Jackson returns to Middle-Earth. He'll have his work cut out for him, but it's Peter Jackson--after all isn't he half Hobbit? I mean, this guy won't let us down, but will have his work cut out for him in bringing the "less-epic" Tolkien story to the big screen. I'm sure some will disagree, but I never found much fun in The Hobbit, but with Jackson behind the lens, I'm quite excited.

1. The Dark Knight Rises- Do I really need to explain? No, I don't think so... If you wanna see some reasons why this is my most anticipated film for the year.... check here and here and here. I think because TDKR doesn't have many words that it deserves a picture... Right?!?



Can't wait... Even If I am a little tacky and a couple people hate me... ;)